{"id":693,"date":"2018-03-31T14:57:20","date_gmt":"2018-03-31T12:57:20","guid":{"rendered":"http:\/\/blogs.pfuetzner.de\/matthias\/?p=693"},"modified":"2022-04-18T16:30:22","modified_gmt":"2022-04-18T14:30:22","slug":"staatsoper-stuttgart-richard-wagner-parsifal-march-30th-2018","status":"publish","type":"post","link":"https:\/\/blogs.pfuetzner.de\/matthias\/?p=693","title":{"rendered":"Staatsoper Stuttgart: Richard Wagner: Parsifal (March 30th, 2018)"},"content":{"rendered":"<p>First: The obvious (in German):<\/p>\n<p>Musikalische Leitung: Sylvain Cambreling<br \/>\nRegie: Calixto Bieito<br \/>\nB\u00fchne: Susanne Gschwender<br \/>\nKost\u00fcme: Merc\u00e8 Paloma<br \/>\nLicht: Reinhard Traub<br \/>\nChor und Kinderchor: Christoph Heil, Johannes Knecht<br \/>\nDramaturgie: Xavier Zuber<\/p>\n<p>Amfortas: Markus Marquardt<br \/>\nGurnemanz: Attila Jun<br \/>\nParsifal: Daniel Kirch<br \/>\nKlingsor: Tobias Schabel<br \/>\nKundry: Christiane Libor<br \/>\nTiturel: Matthias H\u00f6lle<br \/>\n1. Gralsritter: Heinz G\u00f6hrig<br \/>\n2. Gralsritter: Michael Nagl<br \/>\n1. Knappe: Josefin Feiler<br \/>\n2. Knappe: Esther Dierkes<br \/>\n3. Knappe: Torsten Hofmann<br \/>\n4. Knappe: Moritz Kallenberg<br \/>\n1.1. Blumenm\u00e4dchen: Josefin Feiler<br \/>\n1.2. Blumenm\u00e4dchen: Esther Dierkes<br \/>\n1.3. Blumenm\u00e4dchen: Fiorella Hincapi\u00e9<br \/>\n2.1. Blumenm\u00e4dchen: Mirella Bunoaica<br \/>\n2.2. Blumenm\u00e4dchen: Aoife Gibney<br \/>\n2.3. Blumenm\u00e4dchen \/ Stimme aus der H\u00f6he: Stine Marie Fischer<br \/>\nMit: Staatsopernchor Stuttgart, Zusatzchor, Kinderchor der Oper Stuttgart, Staatsorchester Stuttgart<\/p>\n<p>This was my fifth visit to this staging, I was there 8 years and 2 days ago (March 28th, 2010), when it premiered, again in April 2010, March 2011 and May 2013. and I will be there most probably, when the Staatsoper in Stuttgart will put it on their schedule again in the future. This for me is a must see, as it casts a different view on how to perceive Parsifal. I&#8217;ve written about that elsewhere, so I will not repeat that. Important for me w.r.t. this specific performance:<\/p>\n<p>Klingsor didn&#8217;t act as brutally with the flame-thrower as the Premiere-Cast.<br \/>\nGurnemanz is way more static in his movements then the Premiere-Cast.<br \/>\nParsifal lacks breath and a bit of humor, but still acts good.<\/p>\n<p>All in all, Bieito&#8217;s intensions and powerful message is still available, even after 8 years.<\/p>\n<p>Musically it didn&#8217;t stand Manfred Honeck&#8217;s Premiere, but this might not be attributed to Sylvain Cambreling. The Brass-Section during the last years in Stuttgart developed some &#8220;independence&#8221; from the director, they simply do NOT follow, what the director is indicating in their direction. And Cambreling does indicate a lot and easily consumable (I was sitting in Row 1, middle place, so directly behind him, and I could clearly see, what he did!). Also the Brass-section can NOT start pianissimo without an introductory &#8220;Pfft&#8221;. They are professionals, they should be able to do so. What a difference it was to hear that from the Berliner under Sir Simon less than a week ago. Also Jun was mainly loud, he lacked differentiation, and Kirch, as mentioned above, lacks some breath.<\/p>\n<p>So in total, staging still stunning and a must see, musically less convincing. Still, I&#8217;ve seen and heard worse, so overall a time well spent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First: The obvious (in German): Musikalische Leitung: Sylvain Cambreling Regie: Calixto Bieito B\u00fchne: Susanne Gschwender Kost\u00fcme: Merc\u00e8 Paloma Licht: Reinhard Traub Chor und Kinderchor: Christoph Heil, Johannes Knecht Dramaturgie: Xavier Zuber Amfortas: Markus Marquardt Gurnemanz: Attila Jun Parsifal: Daniel Kirch Klingsor: Tobias Schabel Kundry: Christiane Libor Titurel: Matthias H\u00f6lle 1. Gralsritter: Heinz G\u00f6hrig 2. Gralsritter: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-693","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=693"}],"version-history":[{"count":4,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/693\/revisions"}],"predecessor-version":[{"id":737,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/693\/revisions\/737"}],"wp:attachment":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}