{"id":684,"date":"2018-03-26T20:34:44","date_gmt":"2018-03-26T18:34:44","guid":{"rendered":"http:\/\/blogs.pfuetzner.de\/matthias\/?p=684"},"modified":"2018-03-26T20:34:44","modified_gmt":"2018-03-26T18:34:44","slug":"staatstheater-nurnberg-bernd-alois-zimmermann-die-soldaten-march-25th-2018","status":"publish","type":"post","link":"https:\/\/blogs.pfuetzner.de\/matthias\/?p=684","title":{"rendered":"Staatstheater N\u00fcrnberg: Bernd Alois Zimmermann: Die Soldaten (March 25th, 2018)"},"content":{"rendered":"<p>First: The obvious (in German):<\/p>\n<p>Musikalische Leitung: Marcus Bosch<br \/>\nInszenierung: Peter Konwitschny<br \/>\nB\u00fchne und Kost\u00fcme: Helmut Brade<br \/>\nChor: Tarmo Vaask<br \/>\nDramaturgie: Kai We\u00dfler<\/p>\n<p>Tilmann R\u00f6nnebeck (Wesener)<br \/>\nSusanne Elmark (Marie)<br \/>\nSolgerd Isalv (Charlotte)<br \/>\nHelena K\u00f6hne (Weseners alte Mutter)<br \/>\nJochen Kupfer (Stolzius)<br \/>\nLeila Pfister (Stolzius\u00b4 Mutter)<br \/>\nAlexey Birkus (Obrist)<br \/>\nUwe Stickert (Desportes)<br \/>\nHans Kittelmann (Pirzel)<br \/>\nAntonio Yang (Eisenhardt)<br \/>\nTim Kuypers (Haudy)<br \/>\nLudwig Mittelhammer (Mary)<br \/>\nYongseung Song (Drei junge Offiziere)<br \/>\nChang Liu (Drei junge Offiziere)<br \/>\nChool Seomun (Drei junge Offiziere)<br \/>\nSharon Kempton (Gr\u00e4fin de la Roche)<br \/>\nMartin Platz (Der junge Graf)<br \/>\nRichard Kindley (Bedienter der Gr\u00e4fin de la Roche)<br \/>\nJohannes Budelmann (Der junge F\u00e4hnrich)<br \/>\nKlaus Brummer (Der betrunkene Offizier)<br \/>\nManuel Krau\u00df (Drei Hauptleute)<br \/>\nAlexander de Paula (Drei Hauptleute)<br \/>\nPetro Ostapenko (Drei Hauptleute)<br \/>\nMonika Schr\u00f6del-Hecht (Mdme. Roux)<br \/>\nCem Aydin (Drei F\u00e4hnriche)<br \/>\nJona Bergander (Drei F\u00e4hnriche)<br \/>\nNazzareno Putzolu (Drei F\u00e4hnriche)<br \/>\nGabriela Rufino (Andalusierin)<br \/>\nElena Laros (Zwei Kinder)<br \/>\nSimon Holland (Zwei Kinder)<br \/>\nStaatsphilharmonie N\u00fcrnberg, Chor des Staatstheater N\u00fcrnberg<\/p>\n<p>Wow! Just Wow! If that will not become a candidate for the staging of the year, then&#8230;<\/p>\n<p>After Cherubini&#8217;s Medea, another great staging by Peter Konwitschny. And with a cast, that has been singing and playing some of the roles in some other stagings already, liberating them from the problems of dealing with modern 12-tone music and all their specialties. The often changes in the stage setting take place by having them come down from the above, or being pulled up again. And having the orchestra pausing for some moments, so that these changes can be executed completely. All this together with a clear and precise guiding of the actors, and many details in the acting lead to a very convincing experience of this complex modern opera. The fourth (and last) act then has the audience on stage, elaving the theater-audience places empty, which are then used also for staging. Some other parts still happen among the audience on stage, which in total leads to a very intense experience.<\/p>\n<p>Highly recommended!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First: The obvious (in German): Musikalische Leitung: Marcus Bosch Inszenierung: Peter Konwitschny B\u00fchne und Kost\u00fcme: Helmut Brade Chor: Tarmo Vaask Dramaturgie: Kai We\u00dfler Tilmann R\u00f6nnebeck (Wesener) Susanne Elmark (Marie) Solgerd Isalv (Charlotte) Helena K\u00f6hne (Weseners alte Mutter) Jochen Kupfer (Stolzius) Leila Pfister (Stolzius\u00b4 Mutter) Alexey Birkus (Obrist) Uwe Stickert (Desportes) Hans Kittelmann (Pirzel) Antonio Yang [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-684","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=684"}],"version-history":[{"count":1,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/684\/revisions"}],"predecessor-version":[{"id":685,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=\/wp\/v2\/posts\/684\/revisions\/685"}],"wp:attachment":[{"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.pfuetzner.de\/matthias\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}